Tawdry Audrey Rocks! Lead babe, flame-haired Audrey Hollander, opens the feature in an on-the-road dream sequence, wielding an acoustic guitar as a tip to her other aspiration (besides morphine and lots of fucking), songwriting, and quickly getting down with her svelte brunette car mate, Faith Leon.

The scene is shot well, and is refreshingly both outdoors, since the car's a convertible, and
contained, since the sex play's in the car.

Audrey and Faith are luminous and exquisite, with their silver dildo, and look authentically
Tennesseean (I have fond personal memories of Memphis and Knoxville).

Their grrrl/grrrl scene goes on languidly, true to the sexy syrupy south, and they kink it up
fucking each other with a prop pistol.

After her hand on alarm clues us to the opening dream, and for visually punning amusement,
Audrey's character lights up a joint, luscious in white panties only, while her femme roommate sleeps, a delicious brunette played by Smokin' Mary Jane. Audrey smokes maryjane and goes to bathroom, while Smokin' Mary Jane snoozes. There she gets a bottle of morphine tablets.

Then Audrey's off to the Sugar Shack, a working grrrl dive, where a brunette, (Ashley Blue) in a leopard-print bodice and fishnets becomes the focus. After some rough deep-throating, she and redhead Audrey produce firearms, but rather than throwing rough boy out, it's "Let me show you how I like it," and he's obliged to doggie-fuck fishnet grrrl. After reverse cowgrrrl regular, some hot reverse cowgrrrl anal ensues, followed by more deep throat, and very hot anal pile-driving. Ashley Blue holding her ankles behind her neck while getting assfucked is majorly arousing. And that extreme angle allows for jizz to spray on her ass, tits, and face all at once. Sweeet.

Then in a freakily amusing sequence, Audrey knocks down morphine capsules with Jack Daniels, while a blonde chatters away, and is speeded-up to look extra odd.

Next, tall blonde director/performer Kimberly Kane plays around with a hangman's noose, and gets ready for some rough sex. This whole Sugar Shack series of scenes is based on her actual experiences.

Dude spanks her tongue with his belt as a prelude; that's trippy. Then deep throat gagging of
course. Kimberly uses the rope creatively, swingin' this way and that, and pretty soon two other cocks are thrusting at her face, while she's getting it doggie-style. This is one director who throws herself into the middle of her work. Jizz on ass; two shots of facial jizz. One wonders if she gurgled "Cut!" with drool and sperm dripping from her face. Heroically busy boffed boss.

Voluptuous Nubian Jada Fire has large aureoles around her nipples, look especially like edible chocolate. With her black stud, she trades oral, fucks frontal, doggie, then reverse cowgrrrl and cowgrrrl, and takes jizz on those amazing edible chocolate tits.

Next it looks like Kimberly again, this time cavorting with a large round chick in a clownish red wig. I guess this one's for the "all shapes welcome" demographic. More amusing than arousing for this viewer. Kimberly's pulled up black bra and black strap-on make a striking visual contrast to her red-lingeried cohort though.

Then it gets seriously steamy again, as after a Mary Jane dancing frolic, lead real redhead
Audrey starts getting pounded in the ass. Soon she's book-ended, with one cock down her throat and one in her ass, which is slapped, along with her tits, while the other cocksman lightly slaps her face. After impaling her ass on one cock reverse cowgrrrl-style, she takes the other cock in her pussy, DP on a scuffed and scruffy "couch" that looks like it was ripped out of an ancient bus. Incredibly, after some shifting around, she takes TWO cocks up her ass. After more variations, she takes two loads of jizz in her sultry face.

Mary Jane has been dancing around, and waiting for her at home. So Audrey comes home, and deciding she's had enough of her drugged slutting around, dumps her morphine in the toilet, and cuddles with Mary Jane for comfort, in an empty bathtub.

At the end we see her walking past the Nashville city limits sign, intimating she will pursue her dream to be a songwriter, and leave her "sordid" past behind her. "In this world of endless
sorrow and sadistic sex acts, will she make it out alive or will she be just another junkie with
a pipe dream?" trumpets the strumpet DVD copy. This sort of qualification of her catting around and consumption habits doesn't really ring true, given the salacious nature of the entire production, but what the fuck, it was a steamy ride.

Throughout, the camera work is artful, with interesting angles, absorbing color textures, and
sensual sense of movement and mood.

Because this is a feature, and the lead character wants to be a Nashville songwriter, this aspect should have been drawn out with a lyric-writing sequence or some such, instead of a mere prop guitar in an opening dream sequence. If this had been filled in, I would give this steamy fuck-fever dream an unqualified 5. I like it better than the  4 1/2 ratings I've given, so I give it a 5 anyway, 'cause the form field doesn't accommodate a 4 3/4. Also, the soundtrack is bluesy mood-rich, engaging, so that aspect supports the songwriter suggestion.

Interested in seeing this movie?