Gin & Juicy Azzes 10 starts pretty much the way you expect it to. Brief vignettes of the ladies featuring a handfull of their most slo-mo worthy moments accompanied by their names. The problem with a lot of films like this is that this is the best footage on the entire disk. In this case however, it was a solemn promise of good things to come.

Dani Dior

Dani’s scene opens with her peeling seductively out of a pair of sprayed-on jeans. I’ll admit that strip scenes are overdone most of the time and if you hate ‘em because you’ve seen too many then I really don’t have an argument for why you shouldn’t fast forward. However, if you’re not that jaded, you might want to watch her go at it. The girl’s a playful little minx with the camera and the scene doesn’t go on longer than it needs to.

Most directors get that part wrong...point goes to ShelBlack.

The obligatory blowjob scene starts off with Dani getting overwhelmed by her thick, black co-star but that doesn’t lose her points. Movies with big, black cocks are going to have moments like that. That’s the reason most people buy movies with big, black cocks in ‘em in the first place. She does show off some skills towards the end of the scene and it’s near the end of a blowjob is where those skills are most useful anyway.

For the rest of the scene, Dani is pretty much a punching bag. Sometimes the girl is there to work and sometimes the girl is there to make faces. It’s pretty clear where Dani’s strength’s lie. That said, watching her get pounded into butter is highly entertaining. Dani doesn’t make the mistake of going into la-la land and lying there like a boned fish. Anyone with a stud in the stable might want to look into hiring her.

Hydie Waters

Hydie enjoys the "Star" spot on the cover with hot pants, heels, and pink leg warmers. It’s a pornstar’s wardrobe and she doesn’t spend long in it. The strip scene is a clumsy with a lot of breathy pawing at the camera. If you’re into bad pornstar acting, then be my guest and watch but this girl’s a natural in ways that have little to do with the script.

Some girls have a magnetism that draws you to them. Others have a chemistry when they work with others. The few whose names anyone bothers to remember have both. Hydie definately has the latter and Shelblack wisely played to her greatest strength. Even her tease scene becomes watchable for the few moments her co-star is in it.

Hydie starts to impress with her dick-sucking skills (hereafer referred to as "head game") which are enthusiastic and not dull to watch. Not being on the receiving end of said skills, I can’t say as to whether she’s "good" or not, but she’s got an "eager to please" approach that makes you want to give her considerably more than an "A" for effort.

As a slim girl in a black-on-black movie, it’s Hydie’s job to serve as a squeaky little chew-toy to a rampaging black monster. There’s really nothing more that needs to be said other than she gets it right. She’s a hot little trooper as she gets plowed like a mortgaged field.

Hydie earns her cover spot when she gives us the movie’s rewindable moment. Our girl has herself an "Oh shit!" orgasm that even the best directors only catch with luck. Every bit as fun to watch as it is to say, the moment ends with her co-star giving her a playful slap on the ribs and telling her "good job". I readily agree.

Autumn Foxxe

While I can’t say the producers were wrong not to put Autumn Foxxe on the cover, I will say that smart money will put her on a cover very soon. Some girls have a good-girl-gone-bad look to them and that’s their bread-and-butter. It’s a hot look at eighteen, but after twenty-one gets steadily more pathetic with each passing year. Autumn won’t have to worry about that because one look at her and you know instinctively that this was never a "good girl".

It’s not just the camoflauged camisole peeled away to reveal a leopard-print thong and various tattoos that suggest maybe this girl was built for this kind of thing, but it’s the wry "I’ll try anything" smile that says it. Slim and athletic, she’s built for speed and tight handling in the curves. She does every bad girl position there is from reverse cowgirl to getting flat-backed on the arm of the sofa.

Gorgeous from every angle, we actually watch her sweat out water weight until a tight six-pack appears. There isn’t a moment of this scene that isn’t fun to watch. That said, her blowjob scene consists mostly of teasing which not everyone considers a legal play. Personally, teasing fits right in with her "I cut class to be here" attitude so I’m gonna allow it.

Bonita Butterfly

Bonita opens her scene with a "did you come here to fuck or what?" strip tease that moves fast and shows off her considerable assets. Bonita showcases her body, giving the viewer exactly what they want, but never enough of it. She ain’t giggly or prim, but some girls don’t flirt because they don’t need to. Bonita is one of those girls.

Bonita is fast becoming one of my favorite performers. She’s got a magnetism that draws you to her (even her interview in the bonus featurette was watchable, no mean feat considering she was blinking cum out of her eyes for half of it) and when she works with another person, she throws herself into it like they’re the only two people in the room.

Bonita also has that third, unspoken skill that goes beyond "fucks well" and "pays attention to the camera". That is that she can fuck well while paying attention to the camera. Every grunt and moan is accompanied with a sweat-streaked expression of honest pleasure. I know sometimes the camera doesn’t catch those faces because the cameraman never pulls the camera away from genitals (kudos once more to Shelblack) but a lot of the time it doesn’t happen because the performer is biting a pillow or sofa cushion or in some way obscuring their faces.

Bonita never hides from the camera when the work gets intimate and as a result, she repeatedly finds her way into films that I find highly watchable. That can’t be a coincidence. This girl’s got a future.

Overall

Gin & Juicy Azzes 10 surprised me as not only watchable (which the casting alone had already accomplished) but also as a skillfull application of the strengths of the cast. Having seen some of these same girls in films that were thoroughly disappointing, I have to credit the director for a contribution easily equal to the one put forward by his performers.